Andrea Marcovicci Rolls

from Alter-reviews:
I saw Andrea Marcovicci perform a show of Cole Porter love songs at the Oak Room in the Algonquin Hotel last week. The woman is a throwback to a better time and place. Marcovicci, has a mature beauty, a fierce intelligence, a hungry mind, and voice that blends in with her carefully chosen material that combines into an iconic cabaret performance. Whitney Balliett, writing over a decade ago, described one of her performances, as follows: 

“[Her] set in the Oak Room generally includes over twenty songs, and lasts an hour and a half. She starts poised on a small platform in the crook of the piano, both hands on a floor microphone in front of her. A measure into her first song, her hands take off. She holds them at her sides, index fingers pointed at the floor, or moves them willow-fashion on either side of her head, or knots them together at one side of her waist. Then she rests her right hand on the piano and, folding her left leg up behind her, grasps the heel of the shoe with her left hand–a “Gee, I’m shy” gesture from a thirties Ginger Rogers movie. All the while, she turns slowly from side to side, giving the impression that she is trying to look into the eyes of each of her listeners. (When she catches you, you suddenly feel like the only person in the room.) Around her seventh or eighth song, she takes the microphone from its stand and sails easily up onto the piano. She crosses her legs, then lets one leg dangle over the edge. Her hands keep dancing. She combs her short brown hair with her fingers and rests her hands, palms down, on the piano, steadying herself in the waves of applause. Somewhere around the thirteenth number, she jumps down on the platform and finishes the set there. She smiles much of the time, but when she does a ballad her eyes go dark and the lines on either side of her mouth tighten and she looks as tragic as Duse.”

I can’t really improve on that. The current show is part of an ongoing project she is undertaking to rescue some of Porter’s lesser known material and present the better known songs in a new context. It is a warm, witty show which she is taking around the country. You can see her at the Oak Room if you have a lot of money or you can buy the cd—which she is pressing minus the artwork until she makes enough money to add that later. Read up on her here.

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